Best Tips For Mixing Duets, Trios, and Quartet Vocals

Have you ever struggled with how to get a good, blended, balanced sound when you are mixing duets, trios and quartets with or without a bass singer? You should like this one. I will show you exactly how to get a good blend when you are mixing a lot of singers! Don’t forget to pick… Continue reading Best Tips For Mixing Duets, Trios, and Quartet Vocals

3 Tips To Better Vocal Mixes

Today, I’m going to give you some pointers on how to get your vocal to not be too loud and to also be heard… Let’s face it, the vocal is very important. We need to hear it. Get my personal mixing checklist here http://mixcoach.com/checklist [iframe style=”border:none” src=”//html5-player.libsyn.com/embed/episode/id/15035189/height/100/width/480/thumbnail/yes/render-playlist/no/theme/standard/tdest_id/462795″ height=”100″ width=”480″ scrolling=”no” allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen]… Continue reading 3 Tips To Better Vocal Mixes

Using the Eventide Ultra Channel on Back Ground Vocals

​In this video, ​Kevin takes a moment to walk through how he uses the Eventide Ultra Channel on back ground vocals to get that perfect balance of standing out without distracting from the lead.​ This is an excerpt from a full tutorial from MixCoach Member, we have TONS of these kinds of videos in their… Continue reading Using the Eventide Ultra Channel on Back Ground Vocals

Get this Awesome Lead Vocal Effect by Adding Delay to your Reverb

Share0 This is an awesome part of a full tutorial Kevin recorded for MixCoach Member. We thought you’d enjoy it! ​In this video Kevin shows you how to create a fantastic vocal effect by adding a delay to the reverb! Check Out MixCoach Member

My Workflow For Comping and Tuning Vocals

Back in the day, when there were only 24 tracks to record to, we used to save one track to put the vocal on. We had to make some pretty critical “last minute” decisions on whether to keep a “pretty good” performance or try for “the Grammy” performance. That was pretty AWESOME!… can we do… Continue reading My Workflow For Comping and Tuning Vocals

3 Ways To Control Sibilance

What is Sibilance? The true definition of Sibilance is a complicated statement about the way air flows over your teeth and tongue etc. For the purpose of this article, we are only going to be concerned with the way the letter ‘S’ sounds within vocal tracks in our songs/ mixes, as well as WHY sibilance… Continue reading 3 Ways To Control Sibilance

Three ways to become a more consistent mixer

Let me ask a question… do you think that McDonald’s has the best hamburgers in the world? I don’t. I make a pretty mean burger myself. So why do billions of people go to McDonald’s to eat? No matter where you are in the world, you will find McDonald’s on some busy corner packed with… Continue reading Three ways to become a more consistent mixer

Is your tracking room too small?

As many of you know, last month a water pipe burst in Kevin’s studio while he was out and it flooded. Luckily, the computer, instruments, and other gear was high enough off the floor to evade the waves, but the main wall between the control room and the tracking room was ruined. After the shock… Continue reading Is your tracking room too small?

The Kaotica Eyeball – Now you can record great vocals in any setting

This is Matt Butler with Mixcoach here to talk about a relatively new product for audio engineers. The Kaotica Eyeball is the latest innovation for acoustic treatment for large or home studios alike. At first I thought, “Oh boy. Another acoustic treatment gimmick!”. After about 15 minutes of using the Kaotica Eyeball, I was singing… Continue reading The Kaotica Eyeball – Now you can record great vocals in any setting

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