I just returned from a lunch meeting with Ben at Harrison Consoles. Ben has been showing me some of the new features of Mixbus 3.1.
I know I said “wow!” at least a dozen times. I think Harrison has it right.
There is definitely room for someone to give Pro Tools a good run as new “top DAWg” here in Nashville, so I wanted you guys to know why I think you need to look at Harrison Mixbus.
Here are 10 reasons why I think you should be looking into what Harrison Mixbus is doing.
Mixbus is the only DAW made by a company that makes $1M consoles. If your goal is to make a great mix, first think about tracks like Thriller, Back In Black, Another One Bites the Dust, Graceland, and Sweetest Taboo … do those mixes immediately evoke a sound to you? If so, then you may be looking for the sound of Harrison, because all of those tracks were recorded and/or mixed on Harrison consoles. In fact, if you ask any of my members who use Mixbus, they (and I) will tell you that Mixbus just sounds better. No plugins… just playback… it sounds better out of the box.
Mixbus puts all of the tools of a mixer’s trade: gain staging, levels, bussing, EQ, compression, metering, and monitoring … directly under your fingertips. Those are the tasks you are doing all day long; shouldn’t they be given top priority of your computer? After using Mixbus for a week, you’ll be asking yourself why other DAWs bury these most important tasks underneath separate windows or pulldowns. I guess somebody who actually makes consoles had to finally get it right.
I teach that you should try your best to “set up templates” and “use presets”… but I’ve found that when I use Mixbus, it’s already setup. There is a Harrison EQ and a choice of 3 dynamics processors on each channels… not to mention the tape simulation on the busses and the master bus… you don’t have to instantiate ANYTHING to make that happen.
Mixbus provides all the features you expect in a DAW: audio recording and editing, MIDI, Virtual Instruments, plugins, and (new in 3.1) support for control surfaces.
Adding control surface support is going to be a game changer for me (Kevin). I find that I NEED a control surface to make mixing fun… Although Nashville is a “Pro Tools town”, you can bet that I’ll be looking for a way to mix ALL of my projects in Mixbus now.
Mixbus works on the newest versions of Mac, Windows and Linux desktops. It also works on older systems like Windows XP. So you, and all of your friends, can have Mixbus on all of your computers and share session files. Even cooler: if you add a Harrison-provided plugin to your session, the recipient can still hear the effect of the plugin even if they haven’t bought it yet. They just can’t open the plugin GUI and change the settings. How cool is that ?!
The whole point of mixing is to make a great mix, right? Mixbus not only provides all the tools for polishing your mix, it also includes an incredible array of features to help you export your mix into multiple formats. They’ve also got the best stem-export features we’ve ever seen. And they’ve got some amazing new mix-analysis features coming soon. To get a sneak peek, check out this Harrison-funded development that is happening behind the scenes in the Ardour community.
We just finished exporting hundreds of versions of a record. Vocals out, vocals down, vocals up, Orchestra up, Orchestra down… The new “stem exporting” features (both with and without channel processing) would have saved us dozens of hours.
Mixbus allows you to customize the look (such as the size of the mixer strips), and operation (such as the keyboard shortcuts). But that’s just the beginning. Because Mixbus has an open-source element, it can be infinitely customized by users and developers. For example, we learned that an open-source developer recently introduced the beginnings of a ProTools file import utility (!) In an upcoming version, they say they will allow live, on-the-fly scripting. This will allow users to automate nearly any feature of Mixbus, and you can also write simple scripts that operate as plugins in the channelstrip, complete with auto-generated knobs and switches.
Professional features like SMPTE clock, LTC generate & chase, a video playback window, and other features which are only available in other workstation’s “pro” versions are provided here in Harrison’s entry-level product.
No iLok, passwords to remember, or online activations. Just save the provided file to your computer, and you are done. Lost your license file in a hard-drive crash? Just email Harrison a request, and they will send you everything you need. Which brings us to:
Harrison’s support is amazing. You just write questions and they answer directly in plain language. They don’t make you verify that you are a customer; that’s handled by Harrison when they recognize your name or email. No databases, ticket systems, or runaround! Furthermore, Harrison doesn’t have a dedicated “support” staff. Instead you just talk to the developers and engineers. Harrison allows the developers to be directly driven by -users-. Isn’t that how it should be??!
Mixbus is, incredibly, only $79.
Full disclosure. I’m not using Harrison Mixbus on every session, but with these new features, the addition of control surface support, and the slightest possibility of Pro Tools import, you can bet I’ll be doing more and more in Mixbus v 3.1.
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